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MMA Fighters & Boxing Counterparts: Part 1

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    MMA Fighters & Boxing Counterparts: Part 1



    While mixed martial arts and boxing differ in many ways, common themes resonate with fighters in both sports. In this three-part series, Sherdog.com’s Jason Probst takes a closer look at some of MMA’s athletes and those in the Sweet Science with whom they share notable traits.

    Wanderlei Silva = Sonny Liston

    Liston’s pair of one-round blowouts over Floyd Patterson cemented his reputation as a stone-cold killer, but his best years were spent chasing Patterson for a title shot in the late 1950s; he did not get a crack at Patterson until 1962.

    In that time frame, Liston was a terrifying force, destroying virtually every top contender. Difficult to discourage and blessed with murderous power, Liston had an aura of intimidation when he stepped in the ring. It was not until a young loudmouth named Cassius Clay caught up with him in 1964 -- when Liston may have been several years older than his listed age of 32 -- that he seemed human.

    And that’s too bad, because at his peak a few years earlier, Liston was a much better fighter. The public largely remembered him for quitting against Ali on his stool in the first bout and then losing via bizarre first-round knockout against him in their 1965 rematch.

    Silva still has plenty of fights left in him and got a much-needed UFC win in a one-round stoppage of Keith Jardine last May. Looking back at his impressive years in Pride, his best years may be behind him, fought on a much smaller stage. Today’s light heavyweight crop offers plenty of big fights for “The Axe Murderer,” and he’ll need to string a few big wins together to regain the aura he once exuded. At his peak, he was probably the most intimidating fighter in the sport, with every bit the killer instinct Liston had.

    Urijah Faber = Michael Carbajal

    When Carbajal won the silver medal at the 1988 Summer Olympics, it was assumed his professional career as a junior flyweight would be like most guys under bantamweight -- lost to the public eye. Flyweights simply were not televised. But with Carbajal’s go-for-broke style, promoter Bob Arum was able to build him into a big-money attraction, culminating in the first of his three fights with Mexican 108-pounder Humberto Gonzalez. Both made $1 million. As the legendary boxing axiom goes: “Put ’em in the ring together, and they’ll both look like giants.”

    Faber’s story has followed a similar script. Just a couple years ago, before World Extreme Cagefighting became a staple on the Versus network, anything below 155 pounds in MMA barely existed outside of Web-based fight reports or someone fortunate enough to get Pride “Bushido” feeds from their cable provider. Like Carbajal, Faber is hard-charging and prone to making mistakes, only to explode back in retaliation. He’s perfect for television and sports a trademark haircut with his flop-top California ’do. Carbajal was his stylistic match here, as well, rocking the Mexi-Mullet/ponytail combo.

    Another weird similarity is that Carbajal never mixed it up with Ricardo Lopez, who retired at 51-0-1 with a stunning 23 title defenses under his belt. Lopez’s career ran parallel to Carbajal’s, but it was a dream match that sadly never materialized. Faber’s version of Lopez is the potent Norifumi “Kid” Yamamoto, and a bout between them would clearly establish the world’s best 145-pounder.

    Frank Shamrock = Evander Holyfield

    Both became pioneers in their sport by breaking barriers and defining how fighters trained. Today, most world-class boxers employ a strength and conditioning regimen, along with weightlifting and flexibility exercises. But when Evander Holyfield started this strange series of routines after moving up to heavyweight in 1988, the old school crowd in the fight game sneered. That changed when Holyfield’s masterful conditioning and fine-honed physique made him heavyweight champion.

    Shamrock pioneered the concept of cross-training in MMA. It seems ages ago, but in the early days of the sport, competitors were largely bound to a single-minded approach. Wrestlers wrestled, jiu-jitsu guys had limited, if-any, stand-up, and cross-training seemed an apostasy to those steeped in one discipline. Shamrock changed all that, emerging from scratch as the first mixed martial artist who could stand, wrestle and submit with equal efficiency. His legacy continues today, constantly upgraded and refined as fighters seek out the best ways to maximize each training day.

    #2
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    Vitor Belfort = Wilfred Benitez

    A world champion at 17, Benitez’s skills were both marvelous and woefully underserved due to his lack of focus. When he was on, he was a thing of beauty to watch. His combination of reflexes, timing and impeccable radar made him capable of slipping shots by scant inches and dazzling you with speedy counterpunches. Outpointing the capable Antonio Cervantes to win his title, Benitez made two defenses and then moved up to easily decision the tough Carlos Palomino. After another defense, he faced Sugar Ray Leonard, losing by stoppage in the 15th round of a tactical, taxing bout that will forever stand as a two-way technical masterpiece. Amazingly, Benitez trained just six days for the Leonard bout.

    Benitez was hot-and-cold following that loss, as he easily decisioned Robert Duran, lost a close distance bout against Tommy Hearns and eventually turned into a trial horse as his gifts faded. The jury is still out on the “new” Belfort, but in his 185-pound debut against Terry Martin at the Affliction premiere in July, he showed enough of his vintage self to be considered one of the world’s better middleweights. Like Benitez, Belfort was a teen-aged phenom and has physical gifts that cannot be taught. It’s just a matter of whether or not he can apply them in a fight.

    Royce Gracie = Jim Corbett

    Nobody gave “Gentleman” Jim Corbett much of a chance going into his 1892 showdown against John L. Sullivan. The bout was the first recognized match to establish the world’s heavyweight champion, and the “Boston Strong Boy” was a feared battler with a record of 38-0-1. He had nearly a 20-pound advantage to boot.

    But Corbett had an entirely different approach to boxing, far removed from the bare-knuckle style Corbett dominated. He used a series of technical innovations -- including feints, footwork and counterpunching -- and a consistent jab to set up smart combinations. The end result was Sullivan losing by knockout in the 21st round. The world of boxing was never the same, as Corbett formally ushered in the era of the Sweet Science.

    The fight was also one of the first major boxing matches to be contested with gloves. Corbett knew these would give him an advantage; Sullivan did not care.

    Gracie’s innovations in UFCs 1-4 proved every bit as important to the public perception of MMA. Undersized and scientific, his Brazilian jiu-jitsu prowess helped reshape the martial arts landscape and demonstrated what worked and what did not. Like Gracie, Corbett had some long bouts -- he once went 61 rounds in a draw against the incomparable Peter Jackson.

    In both cases, fighters came along using the techniques each applied, with greater size and athleticism. Both were seminal pioneers in their respective sports.

    Tom Erikson = Harry Wills

    A feared super heavyweight in Japan during the 1990s, Tom “Big Cat” Erikson was 280 pounds of pure wrestling fury, punctuated by effective ground-and-pound. His savage knockout of Kevin Randleman in 1997 remains one of the more brutal ever seen in MMA. It was hard for Erikson to find fights, despite his skills or, more accurately, because of them. And even when he won, it was in Japan, so his stateside exposure was virtually non-existent. Nobody wanted to match up with an athletic guy his size for the paltry money involved. Erikson fought just 14 times in an 11-year career, retiring with a ledger of 9-4-1; three of those defeats came well past his prime.

    If Wills were alive today, he could certainly relate. One of the great black heavyweights of the early 20th century, he was super-sized at 6-foot-4, 230 pounds and combined speed with numbing power. If Erikson carries toiling in Japan as the albatross around his career’s neck, Wills was stuck in the parallel universe of having to fight other top black heavies who could not get a title shot, either. He battled in numerous fights with all of them, including Sam Langford (15 times), Sam McVey (four) and Joe Jeannette. Born in 1889, Wills was refused a title shot by Jack Dempsey in the early 1920s, as Dempsey’s manager, Doc Kearns, drew the color line.

    Both men brought the right skills to the wrong era.

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      #3
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      Anderson Silva = Roy Jones, Jr.

      With unorthodox moves galore, Roy Jones Jr. fought with a rhythm and timing that left opponents paralyzed. You couldn’t outpoint him, and the prospect of forcing a down-and-dirty slugfest left you open to all kinds of debilitating punches.

      In Jones’ prime -- 1993-2003 -- he established superiority over foes early, discouraging them from attacking with superior quickness and the ability to shut down any type of offense. Then he picked them apart, or, if he was feeling especially ruthless, took them out quickly. He was a riddle that seemed unsolvable. He also dominated future hall of fame entrants James Toney and Bernard Hopkins in one-sided decision wins before moving up the light heavyweight and heavyweight ladders, capturing belts there, as well.

      If there’s a fighter that intimidates foes the most, it’s Silva. The Brazilian has a seemingly impregnable ground game. Should you take him down, that just throws you into a nest of bad outcomes, be it a submission or sweep. Standing with him seems like suicide, too. And like Jones, he can score big using strikes that are unconventional and impossible to train for. Whoever beats Silva will have to execute a perfect fight or catch lightning in a bottle.

      Randy Couture = Archie Moore

      When the ageless Moore finally won the light-heavyweight title in 1952, his excited cornermen were cheering in the ring after his one-sided decision win over the clever Joey Maxim. Moore, then 36 years young, admonished them to calm down, stating he should have won the title several years before. He had a good argument, too, as he carried a 139-19-9 record into the match.

      Moore’s late ascension to the top of the game -- he spent years building up fan followings in a string of scattered fight clubs in San Diego, Cleveland, Boston and South America -- meant he had to rely on knowledge and old-man guile. But when he got to the top, he ruled with masterful strokes. Making nine defenses, he held the title for an astonishing 10 years and challenged for the heavyweight title twice, losing to Rocky Marciano and Floyd Patterson.

      Couture’s path is similar because of how late he got into MMA. As an ex-college wrestling standout, he managed to overcome the age handicap and get smarter with his approaches to training and fighting, knocking off a series of younger studs in Vitor Belfort, Chuck Liddell and Tito Ortiz. Moore pulled a similar trick, taking three of four bouts against the clever Harold Johnson and besting heavyweight contender Nino Valdes, among others. What made Moore such a great fighter was his willingness to fight the guys with whom nobody wanted to deal, and Couture has been a reliable poster boy killer for UFC.

      Now 45 and facing Brock Lesnar at UFC 91 on Nov. 15, Couture has a tough assignment but won’t surprise anyone if he pulls it off.

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