by David P. Greisman - It is the night of Antonio Margarito’s fight against Roberto Garcia. I find an online stream of what is otherwise being shown on pay-per-view for $40.
It is the day after U F C 101. I search on YouTube for video of A nderson Silva’s destruction of Forrest Gri ffin, which was the co-feature bout on a $45 pay-per-view.
It is three years after the pay-per-view rubber match between Antonio Tarver and Roy Jones Jr. I open a package and pull out a DVD I bought online that includes Nate Campbell’s technical knockout of Kid Diamond, a bout from that show’s undercard.
I should feel guilty. All of this is illegal. All of this is increasingly common.
This is the struggle seen in various entertainment industries: How do you make money when the technological evolution has not only made so much information available, but made it available for free? How do you keep from losing money when technology has made it easier for people to bootleg your product instead of buying it? [Click Here To Read More]
It is the day after U F C 101. I search on YouTube for video of A nderson Silva’s destruction of Forrest Gri ffin, which was the co-feature bout on a $45 pay-per-view.
It is three years after the pay-per-view rubber match between Antonio Tarver and Roy Jones Jr. I open a package and pull out a DVD I bought online that includes Nate Campbell’s technical knockout of Kid Diamond, a bout from that show’s undercard.
I should feel guilty. All of this is illegal. All of this is increasingly common.
This is the struggle seen in various entertainment industries: How do you make money when the technological evolution has not only made so much information available, but made it available for free? How do you keep from losing money when technology has made it easier for people to bootleg your product instead of buying it? [Click Here To Read More]
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